orpheus descending summary
Powers. Formerly, Lady had frequently complained of being cold, suggesting the frozen state of her inner being. Although Williams was at the time an established playwright, having had huge success with The Glass Menagerie (1944), A Streetcar Named Desire (1947), and other plays, Orpheus Descending was harshly criticized and widely considered a failure. The play also has a mythic dimension, in that it alludes to the classical myth of Orpheus and Eurydice. EVEN before the federal capital was permanently situated on the Potomac, th…, EDWARD ALBEE 1975 She still has hard feelings about David, and when she meets him again, she says he must never return to the store. The setting of the play is the Torrance Mercantile Store, from late winter in Act I through the dark night before Easter dawn at the end of Act III. It was a play that Williams had labored over for more than seventeen years. At the end of the play, Jabe shoots Lady to death and then calls in a mob to kill Val. Orpheus Descending review – Tennessee Williams’ melodrama back from the dead Menier Chocolate Factory, London Hattie Morahan and Seth Numrich … As he led his wife back almost to the surface of the earth, Orpheus became afraid that Eurydice's strength was failing, and he also desired to see her. Orpheus Descending is a bold and powerful interpretation of the Greek myth. She finds in Val a sympathetic listener. Among her decorations are the transparent "glass birds" but also "icicles and snow" of death. They have crossed water to reach Twin River County; they confront there the spirits of the dead. He replies that he is going anyway. Only in 2010 did Orpheus Descending hit critical mass, becoming the runaway hit of that year’s Provincetown Tennessee Williams Festival, where it quickly became a mainstay. Lady and Jabe enter. Dog rips Val's shirt open, then grabs his guitar. The Christian motifs commence with Val Xavier's name, "pouring symbolism through every letter," as Nelson states in Tennessee Williams. The earliest version was called Battle of Angels, and was first produced in 1940. While it is clearly intended that Val be associated with the Orpheus of the title, it is worth noting that, according to Grant in Myths of the Greeks and Romans, "the Christians identified him with the Prince of Peace in Isaiah." The local people gossip maliciously about her, calling her corrupt and degraded. There is a marked Mediterranean aspect of the play, rich in classical allusions. Structurally, the Val/Vee confrontations appear in the second scene of each act and always during the daylight hours. Beulah also recalls that Lady's father was an Italian immigrant who during Prohibition acquired an orchard and made a wine garden of it. Music saves him whenever he gets into a bad situation. And Val's having Leadbelly's autograph, as well as those of others, on his guitar has the effect of linking Val to a tradition of music-making that is larger than himself as an individual. - sacrifice to a! He points to the signature of Leadbelly (1885–1949), the legendary blues artist, and says, "Greatest man who ever lived on the twelve-string guitar! Jabe sees the new confectionery and dislikes the way it has been decorated. Lady had known love "like a fire" in her father's "wine garden," but the garden and with it Lady's father were burned by the local vigilantes, the Mystic Crew, led by Jabe Torrance, when Papa Romano violated their commandment and "sold liquor to niggers." "—recognizes Val Xavior as the Christ of her vision, Christ harrowing the hell of Jabe Torrance's store in Two River County. Again, Williams has demonstrated his ability to load—or overload— a scene with multiple layers of meaning. The play abounds in symbols. In Orpheus Descending, a young charismatic musician descends on a small, repressive southern town. She cannot seem to stand her husband because of the fact that he murdered her father years before. Some years earlier she was involved in civil rights campaigning and, after going on a protest walk wearing nothing but a potato sack, she was arrested for vagrancy. McGee was accused of raping a white woman, although in fact he and the woman had a long-standing sexual relationship. Val's arrival has an intoxicating effect on the local womenfolk, inciting the jealousy and resentment of the town's men. ——, In the Winter of Cities, New Directions, 1956, pp. She was arrested for lewd vagrancy, and a vigilante group warned her to stay out of the county. Orpheus Descending Summary and Analysis Buy From Amazon. Val was raised in a place called Witches' Bayou, and he claims to have unusual powers of self-control. Williams's stage direction is telling: "Music rises to cover whatever sound Death makes in the confectionery." Dolly and Beulah, two gossiping housewives, tell each other that Jabe Torrance has just had surgery in Memphis but is dying. "I NEED YOU!!!" It is the Conjure Man who brings the murdered Val's jacket back into the store, and his "secret smile" is the last action of the play before the curtain falls. 1, March 1976, pp. The earliest version … Yet the play. He is glad to be rid of his wife, Eurydice, when she is abducted by the god of the underworld, Pluto. [5] When Orpheus Descending appeared in 1957, Williams wrote: "On the surface it was and still is the tale of a wild-spirited boy who wanders into a conventional community of the South and creates the commotion of a fox in a chicken coop. She tries to get the nurse to kill her husband with a lethal dose of morphine, but the nurse will not. He did not know this before and claims to have little memory of their affair. FURTHER READING Violence lurks just below the surface, and it bursts into the open at the play's end. Williams, Tennessee, Battle of Angels, in The Theatre of Tennessee Williams, Vol. 225–28, 246–48. Although Williams was at the time an established playwright, having had huge success with The Glass Menagerie (1944), A Streetcar Named Desire (1947), and other plays, Orpheus Descending was harshly criticized and widely considered a failure. When they get evidence the killer was in the area in the early morning hours on the day of Rosie's death, they make an arrest. She admits to Val that she is an exhibitionist who wants to be noticed. Val returns the money and wants to leave, but Lady begs him to stay. In this poem, Orpheus's attempt to bring Eurydice back from the underworld is doomed to failure: And so it is that Val Xavier must fail. Dog is also one of the men who murder Val. He rushes out saying that Val shot his wife. At the beginning of act 3, scene 2, for example, Val stands stock-still "in the tense, frozen attitude of a wild animal listening to something that warns it of danger." ", Val Xavier, a writer in the earlier version of the play, is now a guitar-toting drifter in a snakeskin jacket. Save him from what? After the second occasion, he interrogates Val and then tells him he must be out of the county by sunrise. "Wild things leave skins behind them, they leave clean skins and teeth and white bones behind them, and these are tokens passed from one to another, so that the fugitive kind can always follow their kind …". Greg Stewart. What happens to Val is never completely clear. Williams's interest in the myth is apparent from the poem he wrote called "Orpheus Descending," which was published in his collection of poems In the Winter of Cities (1956). He died February 24, 1983, when he choked on a medicine bottle lid in a New York City hotel. I thought it had lyricism, the feeling of tenderness, the striving to understand, the longing, but I did feel that the ending didn't come off quite right. Summary. When Val is told to leave the county, Talbott mentions a county where a sign says, "Nigger, don't let the sun go down on you in this county." Ovid, Metamorphoses, translated and with an introduction by Mary M. Innes, Penguin, 1975, pp. says Val. By this he meant that Val and Lady, the younger man and the older woman, embodied the oedipal complex, in which a man is sexually attracted to his mother. When David enters the store, Lady tells David that she aborted his child when he left her. This is particularly emphasized when she discovers she is pregnant and exclaims, "I have life in my body, this dead tree, my body, has burst into flower!" Depending on the study guide provider (SparkNotes, Shmoop, etc. Critical response, however, was often harsh, and many considered the play to be a failure. Lady has not forgotten her father and remodels the confectionery in the store so that it resembles his wine garden. In 1954 the Supreme Court handed down its historic decision, Brown v. Board of Education, which declared that school desegregation must quickly be brought to an end. According to myth, she was carried off by Pluto and forced to spend half the year underground. Dog Hamma is Dolly's wife and a friend of Pee Wee Binnings. Val always carries a guitar with him, and he describes it as his "life's companion." In their final confrontation, Val kneels to her as she sits in the shoe-fitting chair, symbolically reenacting the ritual washing of the feet of the disciples. As he looked at the girl from afar, a bird flew by and made a shadow on her body, and he heard its call, "a single, high clear note." Their whole relationship is one of highly charged, barely repressed physical desire. Williams also produced three volumes of short stories, two novels, a memoir, and essays. Guitar music, "Lady's Love Song," fades in and continues during their tender reconciliation in the tiny alcove. Carol knows how to talk to him and gets him to give the Choctaw cry, a series of wild barking sounds. At that moment, Talbott comes down the stairs. She closes the curtain behind her. Orpheus Descending, a play by Tennessee Williams (New York, 1958, currently in print, published by Dramatist's Play Service), opened in 1957 in New York City. As in Shakespeare's plays, music often has significance beyond its immediate context, as a symbol of harmony. His plays were translated into many languages and many of them were made into films. Pee Wee and others produce knives during this scene, which gives a hint, at least symbolically, of their desire to castrate their young rival. Catherine Bates in the Times Literary Supplement singled out Helen Mirren's Lady for praise: "Helen Mirren plays Lady to perfection, casting off her false selves as so many skins to reveal the despair behind the shrieking nerves, the pride behind the despair, and the girlishness behind the pride." ." Review Date. The image returns at the end of the play when Carol picks up Val's snakeskin jacket after it has been torn off him by the lynch mob. This is emphasized by the way she decorates the confectionery so that it resembles her dead father's wine garden; it is her way of showing that she is not defeated, just as Christ's resurrection showed that he had triumphed over death. We learn the power in the play, Jabe Torrance, embodies sterile impotence—he and his wife have money instead of children and do not sleep together—and is dying of a spreading cancer. At her behest the Negro Conjure Man gives the magic Choctaw cry and Valentine Xavior materializes in his snakeskin jacket and carrying his guitar. He learned to play the lyre with such beauty that he could charm wild animals, and even trees and stones. The opera is a lampoon of the ancient legend of Orpheus and Eurydice. Jabe dominates his wife Lady, and keeps banging on the floor of his upstairs bedroom to get her to come up to him. Jabe Torrance is gaunt and sick-looking, with a gray and yellow appearance. By hanging Christmas decorations on the fig tree Lady celebrates not only her fertility, but foreshadows resurrection and eternal life. For example, we can accept Val as Jesus or Orpheus but can we also accept him as Adonis without completely reassessing Lady's character? ), the resources below will generally offer Orpheus Descending chapter summaries, quotes, and analysis of themes, characters, and symbols. Into this scene steps Val, a young man with a guitar, a snakeskin jacket, a questionable past, and undeniable animal-erotic energy and appeal. Powers, eds., Shelley's Poetry and Prose, W. W. Norton, 1977, p. 200. However, the play did not die. In 2000 a major revival of the play was staged at London's Donmar Warehouse, directed by Nicholas Hytner. Death prevents their crossing the second river and Carol Cutrere's sky-blue Cadillac waits for Val in vain. Across the alcove hangs an oriental drapery picturing two major myth motifs of the play, "fantastic birds" and a golden tree with scarlet fruit, a tree of life. So he looked back. The play “Orpheus Descending” was first presented on Broadway in 1957 where it only had a short run with modest success; it was almost universally condemned by critics. [2] The production ran for 13 previews and 97 performances.[3]. —I heard this clap of thunder! washes me clean like water when anything unclean has touched me." Orpheus Descending could be Val´s story – the story of an outsider, a sensitive artist, a rebel without a cause, who stirs up volatile hostilities because of the passionate responses he inadvertently calls up in the more courageous and thirsty female citizens of a dried up town. Dionysus, who gave wine to humankind, is associated with orgiastic revels, unbridled passions, and irrational violence. Upon recovery, he continued to produce plays. It was revived on Broadway in 1989, directed by Peter Hall and starring Vanessa Redgrave and Kevin Anderson. In Two River County, however, people find his manner sexually suggestive, although he does nothing deliberately to cultivate this impression. [6] Orpheus Descending, a more faithful version – a film adaptation of the Peter Hall stage production – was released in 1990, starring Vanessa Redgrave. The result of this relentless effort was Orpheus Descending, which premiered on March 21, 1957. Val is short for Valentine, a Christian martyr whose feast day, February 14, is associated with romantic coupling and links, in one image, both death and regeneration. He also claims that his body temperature is two degrees higher than normal, like a dog's. Orpheus Descending, a play by Tennessee Williams (New York, 1958, currently in print, published by Dramatist's Play Service), opened in 1957 in New York City. Lady expresses surprise, and Val says he is not leaving with Carol. Henry Hewes argued in Saturday Review that the many revisions Williams had made to Battle of Angels, the play which in much revised form became Orpheus Descending, resulted in unnecessary complications to a simple tragedy, which made the action seem chaotic. Carol once again makes romantic declarations to Val, which he again shrugs off. Val accuses her of hiring him because she wanted to take a lover, which she denies. At sunset, Vee enters the store and says she has been blinded by a vision of the risen Christ. Val emerges with his luggage; he has decided to leave since he has been threatened. Nelson remarks of Val's descent, "once in the Underworld his role as Orpheus becomes conspicuously confused with Christian symbolism and he is presented as a Christ figure, raising up the local Magdalenes." And, as will be shown the thematic of rebirth or resurrection is the central element of the Christian symbolism, which shares, or competes for space, in this play crowded with symbols. During an emotional encounter with Val, she confesses that she uses sex for the same purpose. Lady escapes through the door of the emporium and heads up the stairs towards Jabe's room yelling "No Jabe, no!" At the end of the play, it is the death-impulse that overcomes the life-impulse. It begins with Dolly and Beulah laying out a buffet supper. But it is Val, the stranger, who is the center of attention. CRITICAL OVERVIEW SOURCES And I can hold my breath three minutes without blacking out … And I can go a whole day without passing water." 7, July 10, 2000, p. 33. If, as Williams claims in the introduction to Orpheus Descending, the play is "a lyrical play about memories and the loneliness of them" he risks burying these memories under an excess of symbols. Lady dies and then some men arrive, bent on murder. In the final scene, Carol walks in the remains of the burnt-out emporium while another transient looks about and discovers Val's snakeskin jacket. A snake renews itself by shedding its skin, and Carol takes the jacket as a sign that the wild, free spirit embodied in Val has indeed not been snuffed out but has been passed on: Wild things leave skins behind them, they leave clean skins and teeth and white bones behind them, and these are tokens passed from one to another, so that the fugitive kind can always follow their kind. Val Xavier enters, and shortly afterwards Vee Talbott arrives with one of her paintings. A collection of classic and fine art, from the periods dating between 13th century through early 20th century. ORPHEUS DESCENDING A Menier Chocolate Factory & Theatr Clwyd co-production. An American variation on Greek mythology, Orpheus Descending tells the story of Lady Torrance (Irene Glezos), a Sicilian immigrant in a small Southern town. Over the course of seventeen years, he rewrote it five times until it reemerged as Orpheus Descending in 1957. Lady agrees to hire Val as a clerk, while insisting she has no wish to become sexually involved with him. The fact that the play has two seer figures, each representing a different tradition, rather than settling on a single figure that could fuse the two traditions, demonstrates some of the problems presented by Williams's design. When Val arouses the hostility of the men of the town, it is his guitar that fascinates them. HISTORICAL CONTEXT Although the parallels with the myth should not be pushed too far (Lady Torrance, for example, is a highly emotional and spirited woman, far removed from the passive Eurydice of the legend), they do explain the significant role ascribed in the play to music. Suddenly Last Summer. In both the store and the living quarters above it, they tell us "everything is so dingy and dark …" Surrounded by all this death, Beulah discovers the olives set out for the funeral-like reception for the dying Jabe are not stuffed but have seeds in them. All is not as it seems however. "We always had a problem with light in this store." If the guitar is viewed as a phallic symbol, it might be said that the older men are experiencing sexual jealousy of the virile younger man. Lady married him only because he had money. The nymphs and the gods started weeping upon hearing Orpheus' songs, and advised him to go to the Underworld and bring his wife back. 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