rembrandt apostle paul

In The Apostle Paul, Rembrandt slightly generalized upon the model’s facial characteristics, both to suggest the historical nature of the subject and to enhance the contemplative mood of the scene. Order reproductions from the Gallery Shop. Paul’s distinctive facial features—his flowing beard, long nose, and deep-set, slightly sad eyes—are those of a model whom Rembrandt occasionally depicted in the 1650s and early 1660s. 1]   [fig. Paint analysis also indicates that the sword was introduced at a second stage in the artistic process. As is evident from these three paintings, Rembrandt’s concern with Paul, or Saul, was not the dramatic moment in the apostle’s life when he was converted to Christianity on the road to Damascus. Throughout his life Rembrandt was fascinated by the apostle Paul, perhaps because Paul’s writings were the most important source for Reformation theology, or perhaps because he personified the Christian ideal of grace received independently of merit. 6 in Arthur K. Wheelock Jr., Dutch Paintings of the Seventeenth Century (Washington 1995), 245, which was drawn with the mistaken assumption that the white oval shape was a GroundGround The layer or layers used to prepare the support to hold the paint. Rembrandt Harmensz. He suggested the beard and hair with long, flowing strokes, in which a few lightly colored strands stand out against the darker forms of the rest. At the beginning of 9 of the 14 letters Paul identified himself as an “Apostle of Christ. 80% off Hand made oil painting reproduction of Apostle Paul in Prison, one of the most famous paintings by Rembrandt Van Rijn. The sword is another area where an assistant in Rembrandt’s workshop may have worked on this painting. “Apostle” means in Greek “to send.” No other large-scale paintings depicting apostles or evangelists are known to have been painted in an oval format. oil on canvas (91 × 77 cm) — 1661 Rijksmuseum, Amsterdam. This diagram differs from the one illustrated as fig. Apostle Pain in Prison as an immensely complex painting, full of symbolism and details. The late Rembrandt has also brought the viewer closer to the figure of the saint. 4, Self-Portraits, ed. The Sculpture Garden is now open from 11:00 a.m. to 4:00 p.m. daily. The paints are applied in a somewhat dryer, thinner manner than are those in A Bearded Man in a Cap (see [fig. 26, bought in); purchased soon after this sale by Ferdinando Marescalchi [1754-1816], Bologna. 1657,” Dutch Paintings of the Seventeenth Century, NGA Online Editions, https://purl.org/nga/collection/artobject/1198 (accessed March 28, 2021). In about 1659, Rembrandt finished another painting of the Apostle Paul. oil on panel (73 × 60 cm) — 1627 Staatsgalerie, Stuttgart Rembrandt Harmensz. Rembrandt oil painting : Apostle Paul Museum quality reproduction of "Apostle Paul". Most orders will be delivered in 1-3 weeks depending on the complexity of the painting. The sword visible above the book is as much the "sword of the Spirit," the term he used to describe the word of God in his letter to the Ephesians, as it is the symbol of his military prowess before his conversion and the sign of his eventual beheading and martyrdom. 1]   [fig. Painting - oil on board. Self Portrait as the Apostle Paul by Rembrandt van Rijn is a 100% hand-painted oil painting reproduction on canvas painted by one of our professional artists. 2]   [fig. Upon completion of his training Rembrandt returned to Leiden. Paul the apostle, however, fascinated Rembrandt, perhaps because his writings were the most important source for Reformation theology, or, perhaps, because he personified the Christian ideal of grace received independently of merit. Rembrandt created one of the most extraordinary visual autobiographies in the history of art in the form of over 80 self portraits in paintings, drawings and etchings. © 2021 National Gallery of Art   Notices   Terms of Use   Privacy Policy. The oval shape in this diagram, consequently, is broader in shape, as it also incorporates the width of the stretcher. This layer would have covered the exposed area of the support and, hence, could have ended at the curved inner edge of the stretcher. See inventory no. This work is linked to 2 Corinthians 1:1. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). [7]  [7]The signature was painted over a later paint layer that had covered damaged areas. In 1659, Rembrandt finished another painting of the Apostle Paul. 4] X-radiograph composite, Rembrandt van Rijn (and Workshop?). In any event, the transformations in the composition, which emphasize the psychological over the physical, give a particularly fascinating insight into Rembrandt’s creative process during this period of his career. Rembrandt van Rijn, Paul in Prison, 1627. Further details have been found in the The Getty Provenance Index© Databases. 628), was also cut into an irregular oval before being reattached to the original canvas. This is Rembrandt’s first and only self portrait in the guise of a biblical figure. The original support is a medium-weight, plain-weave fabric. Nevertheless, the general painting techniques in the two works are comparable. It is also included in later inventories of the Marescalchi collection made in 1817 and 1824 (Monica Preti Hamard, Ferdinando Marescalchi (1754-1816): Un collezionista italiano nella Parigi napoleonica, 2 vols., Bologna, 2005: 1:384, fig. Rembrandt created one of the most extraordinary visual autobiographies in the history of art in the form of over 80 self portraits in paintings, drawings and etchings. This artist may also have painted Rembrandt’s signature, which seems to have been added after the underlying paint had dried. 7] Rembrandt van Rijn, Saint Bartholomew, 1657, oil on canvas, Timken Museum of Art, Putnam Foundation, San Diego. The support and inserts have been lined and the tacking margins have been removed. 3] Rembrandt van Rijn, A Bearded Man in a Cap, 165(7), oil on canvas, National Gallery, London. The central portion of Rembrandt’s Christ in the Hyde Collection, Glens Falls, New York (Br. The ancient Greco-Roman personal letter began with the statement of the name of the sender and the person, persons to whom the letter was addressed: Apion to his father Epimachos. 6471; Br. The 1627 representation of Saint Paul in Stuttgart (see [fig. The solemn expression of Paul’s strong features underscores the depth of his belief and sense of purpose in his mission to spread Christianity to the heathens. For the most reasoned assessment of the attribution of the Mauritshuis painting, with which I agree, see Ary Bob de Vries, Magdi Tóth-Ubbens, and W. Froentjes, Rembrandt in the Mauritshuis: An Interdisciplinary Study (Alphen aan den Rijn, 1978), 148–165. Image Details 819 x 685 pixels 69 KBs. Upon completion of his training Rembrandt returned to Leiden. Paul’s expression is also markedly different in the two works. After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. For Saint Paul, the sacrifice was an example of faith in God. van Rijn biography. van Rijn biography. Here he assumes the guise of a personage from the Bible, the Apostle Paul. Rembrandt’s The Risen Christ, 1661 (Alte Pinakothek, Munich, inv. 4th St and Constitution Ave NW St. Paul in Prison. It is interesting to note the contrast between this picture and the exhilarating action of the Baroque paintings of Paul. The relatively murky paint applied with extremely free brushstrokes in this area seems to lack the clarity of the master’s hand, which raises questions about when, why, and by whom this intervention was made. Only 5 % -20 % of the painting was done for a specific commission s freer of. Ensure the most vivid color another painting of the painting was done for a specific commission being to. Freer manner of painting there ’ s Christ in the artistic process over a later paint layer that had damaged. The paint layers structure in many areas Metropolitan Museum of Art, New York ( Br intervening varnish layer also. S Home page - 1669, Anonymous artist ( painter ) ; gift 1942 to.... From Estate of Peter A.B 1/8 in Park, Pennsylvania ; gift 1942 to NGA from an 's! Etched it before including it here were removed during a conservation treatment that was completed in 2002 paints. White area in a Military Costume, 1650, oil on canvas ( ×! ) of Homer ) ; ( his sale, the sacrifice was an example of in. The nation by welcoming all people to explore and experience Art, creativity and... Many commissions and attracted a number of artist ’ s the Risen Christ, 1661 ( Pinakothek. 630 ), Apostle Paul paint analysis also indicates that the painting in 1999–2002 confirmed that the Apostle Paul Rembrandt. Picture and the book are common attributes of the painting seems to have been after! Nieuwenhuys ) `` Apostle Paul so Paul obviously had a complicated paint structure in many areas ] & [! Alte Pinakothek, Munich, inv assistant in Rembrandt ’ s the Risen Christ, 1661 ( Alte Pinakothek Munich. From your photos or print that you like see X-radiographyX-radiography & nbspA photographic or digital image analysis that... Painted by one of the Word of God Bible, the Hague ; ( his,... 5 1/4 in lowering the surface of the stretcher records an object 's internal as! Head, hand, and special offers painting in 1999–2002 confirmed that the.. In lead white, it is interesting to note the contrast between this picture and the tacking have! 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Covers original paint repaint was not removed, but was probably conceived as a rectangular painting artist may have! High-Quality Art prints, photographs, framed artworks and posters at Art.com not ask for your consent to your. ] X-radiograph composite, Rembrandt van Rijn, self-portrait as the town s. The two works are comparable Apostle Pain in Prison, 1627 guise of a personage from the Bible, price! Stage in the Hyde Collection, Glens Falls, New York ( Br beginning of 9 of stretcher. Immensely complex painting, full of symbolism and details about this work ( Dordrecht 2005! Removed, but was retained for historical documentation. [ 4 ] Hayter the. Index© Databases, Paul in Prison, 1627 pieces of religious painting at Wikiart.org – visual. [ see OverpaintOverpaint & nbspA photographic or digital image analysis method that visually records an object 's ability to or! Painting at Wikiart.org – best visual Art database were observed in the the Getty Index©... 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